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		<title>Mili Dueli 2023 &#8211; Romania (Poetry and literary criticism)</title>
		<link>https://milidueli.com/2023/06/27/romania/</link>
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		<dc:creator><![CDATA[Organizator]]></dc:creator>
		<pubDate>Tue, 27 Jun 2023 12:30:01 +0000</pubDate>
				<category><![CDATA[Mili Dueli 2023]]></category>
		<category><![CDATA[Poezija]]></category>
		<category><![CDATA[Vijesti]]></category>
		<category><![CDATA[Anđela Turukalo]]></category>
		<category><![CDATA[Bogdana Găgeanu]]></category>
		<category><![CDATA[concurs de poezie]]></category>
		<category><![CDATA[Constantin Severin]]></category>
		<category><![CDATA[Cristina Serghiescu]]></category>
		<category><![CDATA[Florentina Danu]]></category>
		<category><![CDATA[Florentina Loredana Danila]]></category>
		<category><![CDATA[Književna kritika]]></category>
		<category><![CDATA[Mihai Stet]]></category>
		<category><![CDATA[Mónika Tóth]]></category>
		<category><![CDATA[Nermin Delić]]></category>
		<category><![CDATA[pjesničko takmičenje]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[poetry competition]]></category>
		<category><![CDATA[poezija]]></category>
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					<description><![CDATA[<p>RESULTS &#160; KNJIŽEVNA KRITIKA ŽIRIJA Nermin Delić: Mihai Stet, 1981. Rumunija, Baia Mare / Nagybánya / Frauenbach MIGRANT Vrebam izvan vaših čula Stojim van vašeg dometa I hodam praznim rovovima Čudan je čudnom samo meta.&#8230; </p>
<p>Objava <a href="https://milidueli.com/2023/06/27/romania/">Mili Dueli 2023 &#8211; Romania (Poetry and literary criticism)</a> pojavila se prvi puta na <a href="https://milidueli.com">Mili Dueli</a>.</p>
]]></description>
										<content:encoded><![CDATA[<h2 style="text-align: center;">RESULTS</h2>
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<p>&nbsp;</p>
<h2 style="text-align: center;">KNJIŽEVNA KRITIKA ŽIRIJA</h2>
<h3><span style="color: #000080;"><strong>Nermin Delić: </strong></span></h3>
<p><em><b>Mihai Stet, 1981.<br />
Rumunija, Baia Mare / Nagybánya / Frauenbach</b><br />
MIGRANT</em></p>
<p>Vrebam izvan vaših čula<br />
Stojim van vašeg dometa<br />
I hodam praznim rovovima<br />
Čudan je čudnom samo meta.</p>
<p>Nema aplikacije koja će me naći<br />
Na karti, ja sam šuplja zemlja<br />
Nijedan kompas me neće odrediti<br />
Nevidljiv stojim – puk podzemlja.</p>
<p>Prije uperenih pogleda<br />
U meni se inat usidri<br />
Moram zaboraviti svoj jezik<br />
Ponovo naučite ko su zli i dobri.</p>
<p>Ja sam niko, a ipak sam neko<br />
Drvo bez korijena<br />
Drvo živih organa<br />
Usta, ruka, stopalo – jedna je cijena.</p>
<p>Naprijed me gurao život<br />
I njemu pripisujem tu krivicu<br />
Što sam mislio da mogu bolje<br />
Krenuti iznova, zaobići ivicu.</p>
<p>*</p>
<p>Budite zahvalni poteškoćama<br />
Radite više, a radite za manje<br />
I živite da dokažete dostojnost<br />
Budite tihi! Ne priznajte stanje!</p>
<p>Nikada nećete preći ogradu<br />
Ne više nego što ste mislili<br />
Zato ostanite u svojim rovovima<br />
To niko neće zbog vas braniti.</p>
<p>Translated to Bosnian by Nermin Delić<br />
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<br />
MIGRANT</p>
<p>I lurk beyond your senses<br />
I stand outside your range<br />
And walk the empty trenches<br />
Of stranger than the strange</p>
<p>No app will ever find me<br />
On charts, I’m hollow land<br />
No compass will define me<br />
Invisible I stand &#8211;</p>
<p>Before some fleeting gazes<br />
That anchor me with spite<br />
I must forget my language<br />
Relearn what’s good and right</p>
<p>I’m no one, yet I’m someone<br />
A tree without a root<br />
A tree of living organs<br />
A mouth, an arm, a foot</p>
<p>My life has pushed me forward<br />
And that remains my guilt<br />
I hoped I could do better<br />
And start anew, rebuilt</p>
<p>*</p>
<p>Be grateful for the hardships<br />
Work more and work for less<br />
And live to prove you’re worthy<br />
Be silent! Don’t confess!</p>
<p>You’ll never cross the fences<br />
Not more than you were meant<br />
And stay inside those trenches<br />
That no one will defend</p>
<p>MIHAI STET – Lijepa pjesma. Fali više originalnih metafora. Zanimljiv autor. Zamjerke za neaktivnost u interkulturalnom dijalogu, a vezano za aktivnost na našem Facebook profilu. Niti jednom se autor nije potrudio da komentariše i tako zavijori zastavu Rumunije i širi popularnost ne samo svoje pjesme, već i svoje zemlje.</p>
<p>&nbsp;</p>
<p><em><b>Cristina Serghiescu, 1970.<br />
Rumunija, Beclean</b><br />
MI SMO</em></p>
<p>Putnici smo putevima misli,<br />
Lutamo čulima, u gladnom snu,<br />
Prečesto se gubimo na parkiralištima iluzija,<br />
S druge strane, vreba zabuna.</p>
<p>Mi smo sanjari kroz dim tišine,<br />
Očima skupljamo prolazna svjetla,<br />
Iskre boja pjevaju na našim sljepoočnicama,<br />
Gorke bore igraju na čelu.</p>
<p>Strastveni smo, prosijavamo žeravicu volje,<br />
Pobuđujemo sjećanje u vatri želje,<br />
Riječi skrivamo iza stijena prirode,<br />
Od tijesta ljubavi oblikujemo nove drhtaje.</p>
<p>Mi smo prolaznici na terenu pitanja,<br />
Tražimo izvore u dolinama poziva,<br />
Kružni pljuskovi osjećaja zalijevaju nas,<br />
Pulsiramo u plodnim snjegovima nade.</p>
<p>Mi smo plamteći plamenovi na ognjištima snova,<br />
Nježno crvenilo raspršujemo po glinama pobjede,<br />
Stvaramo duge preko dosadnih dana,<br />
Pjevamo s ehom u glupavim noćima.</p>
<p>Putujemo pijeskom misli,<br />
Umaramo se u pješčanim satovima škrtih usta,<br />
Tražimo odgovore na ljubičastom nebu,<br />
Očekivanja meljemo u betonskim mlinovima.</p>
<p>Translated to Bosnian by Nermin Delić<br />
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<br />
WE ARE</p>
<p>We are travelers on roads of thought,<br />
We wander the senses, in the hungry dream,<br />
We get lost too often in parking lots of illusions,<br />
On the other hand, confusion lurks.</p>
<p>We are dreamers through the smoke of silence,<br />
We gather with our eyes ephemeral lights,<br />
Color sparks sing on our temples,<br />
Bitter lines play on the forehead.</p>
<p>We are passionate, sifting embers of will,<br />
We stir up the memory in the fire of desire,<br />
We hide words behind the rocks of nature,<br />
We mold new shivers from the dough of love.</p>
<p>We are passers-by on the plains of questions,<br />
We seek springs in valleys of callings,<br />
Round showers of feeling wash over us,<br />
We pulse in fertile snows of hope.</p>
<p>We are blazing flames in hearths of dreams,<br />
We scatter the tender red on vanquished clays,<br />
We bloom rainbows over dull days,<br />
We sing with the echo in absurd nights.</p>
<p>We are traveling sands of thought,<br />
We tire in hourglasses with miserly mouths,<br />
We look for answers in a purple sky,<br />
We grind expectations in concrete mills.<br />
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<br />
SUNTEM</p>
<p>Suntem călători pe drumuri de gând,<br />
Rătăcim pe sensuri, în visul flămând,<br />
Ne pierdem prea des în parcări de iluzii,<br />
Pe contrasens, stau la pândă confuzii.</p>
<p>Suntem visători prin fum de tăcere,<br />
Culegem cu ochii lumini efemere,<br />
Pe tâmple ne cântă scântei de culoare,<br />
Pe frunte se joacă linii amare.</p>
<p>Suntem pătimaşi, cernem jar de voinţă,<br />
Răscolim amintirea în foc de dorinţă,<br />
Ascundem cuvinte după stâncile firii,<br />
Modelăm noi fiori din aluatul iubirii.</p>
<p>Suntem trecători pe câmpii de-ntrebări,<br />
Căutăm izvoare în văi de chemări,<br />
Ne spală ploi de simţire rotunde,<br />
Pulsăm în zăpezi de speranţă fecunde.</p>
<p>Suntem flăcări stridente în vetre de vise,<br />
Risipim roșul fraged pe luturi învinse,<br />
Înflorim curcubeie peste zile surde,<br />
Cântăm cu ecoul în nopţi absurde.</p>
<p>Suntem nisipuri de gând călătoare,<br />
Obosim în clepsidre cu gurile-avare,<br />
Căutăm răspunsuri într-un cer violet,<br />
Măcinăm aşteptări în mori de concret.</p>
<p>CRISTINA SERGHIESCU – Dosta poetike se nalazi u ovoj pjesmi. Volio bih vidjeti kako ova autorica piše, van forme katrena. Zamjerke za neaktivnost u interkulturalnom dijalogu, a vezano za aktivnost na našem Facebook profilu. Niti jednom se autorica nije potrudila da komentariše i tako zavijori zastavu Rumunije i širi popularnost ne samo svoje pjesme, već i svoje zemlje.</p>
<p>&nbsp;</p>
<p><em><b>Florentina Danu, 1971.<br />
Rumunija, Brașov</b><br />
DA SAM ANĐEO</em></p>
<p>Često su mi govorili:<br />
&#8220;Ima dosta svjetla u tvojoj duši,<br />
Kad bi imala krila<br />
Ti bi definitivno bila anđeo koji bi sišao na zemlju.”<br />
Stvarno?<br />
Da sam anđeo<br />
Izbrisala bih svu zloću na Zemlji<br />
Okovala bih tugu zauvijek<br />
S hiljadama lanaca kako bi prestala slamati duše, jednu za drugom.<br />
Da sam anđeo<br />
Zemlju cijelu bih ljubavlju obdarila<br />
I okitila bih njene vrtove buketima osmijeha.<br />
Da sam anđeo<br />
Bolio bi me svaki korak<br />
I noge bi mi se zapalile od tolike mržnje.<br />
Jer ljudi su slijepi, tužni i nepromišljeni,<br />
Oni tiho krenu putom bez povratka.<br />
Vjera u anđele je sve slabija<br />
Svakom mišlju padne po jedno anđeosko krilo<br />
Da sam anđeo<br />
Koliko bih dugo preživjela?<br />
U svijetu u kojem krila padaju jedno po jedno<br />
I u životu anđeli postaju samo prolaznici<br />
Tužnih očiju i otvorenih rana&#8230;I</p>
<p>Translated to Bosnian by Nermin Delić<br />
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<br />
F I WERE AN ANGEL</p>
<p>I have often been told:<br />
&#8220;There&#8217;s plenty of light in your soul,<br />
If you had wings<br />
You would definitely be an angel come down to earth.”<br />
Really?<br />
If I were an angel<br />
I would erase all wickedness on the Earth<br />
I would banish sadness forever<br />
With thousands of chains so that it should stop breaking one soul after the other.<br />
If I were an angel<br />
I would endow the whole Earth with love<br />
And I would decorate her gardens with bouquets of smiles.<br />
If I were an angel<br />
Every step of mine would hurt<br />
And my feet would catch fire from so much hate.<br />
Because humans are blind, sad and thoughtless<br />
And they silently head towards a path of no return.<br />
Belief in angels is increasingly frail<br />
Each thought gets another wing fall<br />
If I were an angel<br />
How long would I survive?<br />
In a world where wings fall one by one<br />
And angels become just passers-by in life<br />
With sad eyes and open wounds&#8230;<br />
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<br />
DE-AȘ FI UN ÎNGER</p>
<p>Mi s-a spus deseori:<br />
„În sufletul tău e multă lumină,<br />
Dacă ai avea aripi<br />
Categoric ai fi un înger coborât pe pământ.”<br />
Oare?<br />
De-aș fi un înger<br />
Aș face să dispară toată răutatea pământului<br />
Aș exila tristețea pentru vecie<br />
Cu mii de lanțuri ca să nu mai frângă suflete după suflete.<br />
De-aș fi un înger<br />
Aș înzestra tot pământul cu iubire<br />
Și i-aș impodobi grădinile cu buchete de zâmbete.<br />
De-aș fi un înger<br />
M-ar durea fiecare pas<br />
Iar tălpile mi-ar lua foc de la atâta ură.<br />
Pentru că lumea e oarbă e tristă e nechibzuită<br />
Și se îndreaptă tăcută spre o cale fără întoarcere.<br />
Credința în îngeri e din ce în ce mai firavă<br />
Cu fiecare gând mai cade câte o aripă<br />
De-aș fi un înger<br />
Oare cât aș rezista<br />
Într-o lume în care aripile cad una după alta<br />
Iar îngerii devin doar niste trecători prin viață<br />
Cu ochii triști și răni deschise&#8230;</p>
<p>FLORENTINA DANU – Mnogo patetike. Od ove autorice sam očekivao više. Ipak se radi o nekome ko zna kako funkcioniše kontest, jer je učestovala u prethodnoj sezoni. Ne vidim nikakav napredak.</p>
<p>&nbsp;</p>
<p><em><b>Bogdana Găgeanu, 1987.<br />
Rumunija, Brașov</b></em><br />
<em>MARAMICE</em></p>
<p><em>Maramice uzmemo kada plačemo</em><br />
<em>da obrišemo lice.</em><br />
<em>Ali mi bismo mogli biti maramica drugima</em><br />
<em>Da brišemo njihovu bol i tugu.</em><br />
<em>Maramice od čovjeka – pune su prijateljstva.</em><br />
<em>A i drugi bi mogli biti nama maramica.</em><br />
<em>Kad bi svi ljudi mogli postati maramica</em><br />
<em>niko ne bi plakao.</em></p>
<p><em>Translated to Bosnian by Nermin Delić</em><br />
<em>&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</em><br />
<em>NAPKINS</em></p>
<p><em>We use napkins when we cry</em><br />
<em>To clean our face.</em><br />
<em>But we could be napkins for others</em><br />
<em>To delete their pain and sorrow</em><br />
<em>Human napkins,full of frienship.</em><br />
<em>And the others could be napkins for us.</em><br />
<em>If all the people could be napkins</em><br />
<em>Nobody would cry.</em></p>
<p>BOGDANA GĂGEANU – Interesantna pjesnička forma, minijatura. Poentiranje je preveliki kliše, ali se od ovog teksta može napraviti maestralna poema. Samo je potrebno unijeti nepredvidljiviji kraj. Velike pohvale i za sudjelovanje u interkulturalnom dijalogu u prethodna dva mjeseca, a kroz izrazitu aktivnost na našem Facebook profilu, gdje se upravo zbog njenih komentara vijorila zastava Slovenije baš često.</p>
<p>&nbsp;</p>
<p><em><b>Mónika Tóth, 1980.<br />
Romania, Covasna</b><br />
ANĐEO SI</em></p>
<p>posvećeno najslađem na svijetu prijatelju iz Rumunije Vasiliju</p>
<p>anđeo si<br />
koji hoda zemljom<br />
i znam da neću naći drugog<br />
prijatelja poput tebe<br />
tvoje prijateljstvo je svjetlo života<br />
Bog te blagoslovio</p>
<p>Translated to Bosnian by Nermin Delić<br />
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<br />
YOU ARE AN ANGEL</p>
<p>you are an angel<br />
Dedicated to the sweetest Romanian friend in the world VASILE<br />
you are an angel<br />
who walks on the ground<br />
and I know I’ll not find another<br />
friend like you<br />
your friendship is the light of life<br />
God bless you</p>
<p>MÓNIKA TÓTH – Nema poezije. Samo posveta napisana u stihovima. Nijedan pjesnički element nema u tekstu. Žao mi je&#8230; Zamjerke za neaktivnost u interkulturalnom dijalogu, a vezano za aktivnost na našem Facebook profilu. Niti jednom se autorica nije potrudila da komentariše i tako zavijori zastavu Rumunije i širi popularnost ne samo svoje pjesme, već i svoje zemlje.</p>
<p>&nbsp;</p>
<p><em><b>Florentina Loredana Danila (Florentina Loredana Dalian), 1968.<br />
Rumunija, Slobozia</b><br />
JUN</em></p>
<p>Ti dolazis iz Stepe, ja iz Baragana,<br />
očigledno nas sve stvari razdvajaju,<br />
ali ono što nas povezuje, Gospode, šta nas spaja,<br />
ako smo samo jedan plamen, jedinstven dah,<br />
gdje su sve te stvari<br />
kojih treba da se bojimo?</p>
<p>Ne znam odgovor<br />
ne zna ni ružičasto cvijeće,<br />
ni tvoj djetinji osmijeh<br />
koji dijeliš sa svima jednako slatko,<br />
ni topli, iskreni zagrljaj<br />
ni poljubac u obraze, tri puta naravno,<br />
svi moji odgovori su pobjegli<br />
i sva moja pitanja zajedno sa njima.</p>
<p>U život sam poslana da se zaljubim<br />
i ko zna koje greške učinim<br />
ne znajući<br />
a ko bi znao šta su leptiri ubijali u stomaku,<br />
zbog neljubavi ko zna koliko generacija ispred mene.<br />
Očitujem se krivom i predajem se ovoj<br />
nedjeljivoj, apsurdnoj, neshvaćenoj ljubavi&#8230;</p>
<p>Translated to Bosnian by Nermin Delić<br />
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<br />
JUNE</p>
<p>You come from Stepa, I from Baragan,<br />
apparentely, all things separate us,<br />
but what links us, Lord, what unites us,<br />
as if we were a sole flame, an unique breath,<br />
where are all those things<br />
we should be affraid of?</p>
<p>I don’t know the answer<br />
nor to the pink flowers,<br />
nor to your childish smile<br />
sheared with everyone with the same sweetness,<br />
nor to the warm, sincere hug<br />
nor the kiss on the cheeks, three times of course,<br />
all my answers ran away<br />
and all my questions toghether with them.</p>
<p>I am senteced to life to falling in love<br />
for who-knows what faults<br />
that I do not know,<br />
for who-knows what butterflies killed in stomach,<br />
for the unlove of who-knows-how many generations up to me.<br />
I plead guilty and I give myself over to this<br />
unshared, absurde, misunderstood love&#8230;<br />
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<br />
IUNIE</p>
<p>Tu vii din Stepă, eu de pe Bărăgan,<br />
aparent toate lucrurile ne separă,<br />
dar ce ne unește, Doamne, ce ne unește,<br />
de parcă am fi o singură flacără, unică respirație,<br />
unde sunt toate acele lucruri de care ar trebui<br />
să ne temem?</p>
<p>Nu știu răspunsul nici la florile roz,<br />
nici la zâmbetul tău de copil<br />
împărtășit tuturor cu aceeași dulceață,<br />
nici la îmbrățișarea sinceră, caldă,<br />
nici la sărutul pe obraji musai de trei ori,<br />
mi-au fugit toate răspunsurile și<br />
odată cu ele toate întrebările.</p>
<p>Sunt condamnată pe viață la îndrăgostire,<br />
pentru cine știe ce vini<br />
pe care nu mi le cunosc,<br />
pentru cine știe ce fluturi omorâți în stomac,<br />
pentru neiubirea cine-știe-câtor generații<br />
de până la mine.<br />
Pledez vinovat<br />
și mă las pradă acestei iubiri<br />
neîmpărtășite, absurde, neînțelese&#8230;</p>
<p>FLORENTINA LOREDANA DANILA – Loš kraj pjesme. Potrebno je riješiti se suvišaka. Malo bolji pjesnički stil. Malo više unijeti događaja iz svog života, a manje izmišljati ono što je već izmišljeno i kroz pjesme na hiljade puta doživljeno. Zamjerke za neaktivnost u interkulturalnom dijalogu, a vezano za aktivnost na našem Facebook profilu. Niti jednom se autorica nije potrudila da komentariše i tako zavijori zastavu Rumunije i širi popularnost ne samo svoje pjesme, već i svoje zemlje.</p>
<p>&nbsp;</p>
<p><em><b>Constantin Severin, 1952.<br />
Rumunija, Suceava</b><br />
BOŽJI MOST</em></p>
<p>odmalena sam poznavao jurnjavu života i smrti<br />
življenja i umiranja u isto vrijeme<br />
tajanstvenog lepršanja glagolima živjeti-umrijeti<br />
vriska novorođenčeta i tužbalica ožalošćenih</p>
<p>smrt je povratak u život kroz iskonsku utrobu</p>
<p>Imao sam pet godina i bio je proljetni dan<br />
šuma jorgovana pustila je svježe mirisne oblake<br />
u selo koje čuva Božji most<br />
a ja sam hladno na trijemu stare kuće čekao<br />
zajedno s pola porodice<br />
na rođenje moje sestre<br />
a dvije kuće niže na brdu mog djetinjstva<br />
druga polovica porodice oplakivala je moju baku<br />
koji je zgrčena umrla<br />
u fetalnom položaju</p>
<p>smrt je povratak u život kroz iskonsku utrobu</p>
<p>dan prije nego što je otišla u drugo kraljevstvo<br />
baka me oduševila legendom o Božjem mostu<br />
nekoć je bila golema krečnjačka špilja<br />
na obali sela u blizini šume jorgovana<br />
nažalost u golemoj špilji spavao je Vrag<br />
a život seljana je preko noći postao pakao<br />
kuge i opsjednuti ljudi zaopsjedali su sve uglove<br />
usjevi su uništeni, a kuće su se iznenada zapalile<br />
strah i glad dominirali su malim društvom<br />
samoubistva i rane smrti bile su u porastu</p>
<p>smrt je povratak u život kroz iskonsku utrobu</p>
<p>ljudi su se danonoćno molili u staroj drvenoj crkvi<br />
preklinjali su Boga u suzama da ih zaštiti od Vraga<br />
ali godine su prolazile i tragedije su tekle unedogled<br />
na livadi koju čuva šuma jorgovana<br />
jednog dana nebo se raspalo poput prastare inkunabule<br />
a Bog je zaglušujućom grmljavinom udario u strop špilje<br />
i Vrag je pobjegao preko mora i zemalja<br />
moja je baka mislila da se to događa kad ljudi<br />
dobiju Lice inkarnirano iz pepela patnje i smrti</p>
<p>smrt je povratak u život kroz Božji most</p>
<p>Translated to Bosnian by Nermin Delić<br />
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.<br />
THE BRIDGE OF GOD</p>
<p>from an early age I knew the rush of life and death<br />
to live and die at the same time<br />
the mysterious flutter of the verb to live-die<br />
the scream of a newborn and the chanting of mourners</p>
<p>death is a return to life through the primordial womb</p>
<p>I was five years old and it was a spring day<br />
the lilac forest released fresh scented clouds<br />
to the village guarded by the Bridge of God<br />
and I waited coldly in the porch of the old house<br />
together with half the family<br />
for the birth of my sister<br />
and two houses further down on my childhood hill<br />
the other half of the family mourned my grandma<br />
who had died crouched<br />
in a fetal position</p>
<p>death is a return to life through the primordial womb</p>
<p>the day before she left for the other realm<br />
my grandma had delighted me with the legend of the Bridge of God<br />
it was once a huge limestone cave<br />
on the coast of the village near the lilac forest<br />
unfortunately in the vast cave the Devil had slept<br />
and the life of the villagers had become Hell overnight<br />
plagues and possessed people haunted all corners<br />
the crops were destroyed and the houses caught fire suddenly<br />
fear and hunger dominated the small society<br />
suicides and early deaths were on the rise</p>
<p>death is a return to life through the primordial womb</p>
<p>people prayed day and night in the old wooden church<br />
they implored God in tears to protect them from the Devil<br />
but the years passed and the tragedies flowed endlessly<br />
on the plateau guarded by the lilac forest<br />
one day the sky fell apart like an ancient incunabulum<br />
and God slammed the ceiling of the cave with a deafening thunder<br />
and the Devil fled over the seas and lands<br />
my grandma thought this happened when people<br />
got a Face incarnated from the ashes of suffering and death</p>
<p>death is a return to life through the Bridge of God</p>
<p>Translated to English by Constantin Severin&amp;Slim FitzGerald<br />
&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..<br />
PODUL LUI DUMNEZEU</p>
<p>din fragedă copilărie am cunoscut iureșul vieții și al morții<br />
a trăi și a muri în același timp<br />
fâlfâitul misterios al verbului a trămuri<br />
țipătul unui nou născut și incantațiile bocitoarelor</p>
<p>moartea e o reîntoarcere la viață prin uterul primordial</p>
<p>aveam cinci ani și era o zi de primăvară<br />
pădurea de liliac își lansa nori proaspeți de miresme<br />
spre satul străjuit de Podul lui Dumnezeu<br />
iar eu așteptam înfrigurat în cerdacul casei bătrânești<br />
împreună cu o jumătate din familie<br />
nașterea surorii mele<br />
iar la două case mai la vale pe dealul copilăriei<br />
cealaltă jumătate de familie o jelea pe bunica<br />
care murise în somn ghemuită<br />
în poziția fetusului</p>
<p>moartea e o reîntoarcere la viață prin uterul primordial</p>
<p>cu o zi înainte de a pleca în celălalt tărâm<br />
bunica mă încântase cu legenda Podului lui Dumnezeu<br />
a fost odată ca niciodată o peșteră uriașă de calcar<br />
în coasta satului de lângă pădurea de liliac<br />
din nefericire în peștera vastă își făcuse culcuș Diavolul<br />
iar viața sătenilor devenise peste noapte un Infern<br />
bolile și oamenii îndrăciți bântuiau prin toate ungherele<br />
recoltele erau distruse și casele luau foc din senin<br />
spaima și foamea dominau mica societate<br />
sinuciderile și morțile timpurii se înmulțeau</p>
<p>moartea e o reîntoarcere la viață prin uterul primordial</p>
<p>oamenii se rugau zi și noapte în vechea biserică de lemn<br />
îl implorau înlăcrimați pe Dumnezeu să-i apere de Diavol<br />
dar anii treceau și tragediile curgeau fără sfârșit<br />
pe piciorul de plai vegheat de pădurea de liliac<br />
într-o zi cerul s-a dat la o parte ca un incunabul străvechi<br />
și Dumnezeu a prăbușit cu un tunet asurzitor tavanul peșterii<br />
iar Diavolul a luat-o la fugă peste mări și țări<br />
bunica credea că aceea a fost clipa în care oamenii<br />
au căpătat Chip întrupat din cenușa de suferință și moarte</p>
<p>moartea e o reîntoarcere la viață prin Podul lui Dumnezeu</p>
<p>CONSTANTIN SEVERIN – Savršena pjesma zrelog autora. Nemam niti jednu zamjerku. Uživao sam u čitanju! Zamjerke za neaktivnost u interkulturalnom dijalogu, a vezano za aktivnost na našem Facebook profilu. Niti jednom se autorica nije potrudila da komentariše i tako zavijori zastavu Rumunije i širi popularnost ne samo svoje pjesme, već i svoje zemlje.</p>
<p>&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<strong><br />
English translation:</strong><br />
MIHAI STET – Nice poem. It lacks more original metaphors. Interesting author. Complaints about inactivity in the intercultural dialogue, and related to the activity on our Facebook profile. Not once did the author makes an effort to comment and thus fly the flag of Romania and spread the popularity not only of his poem, but also of his country.</p>
<p>CRISTINA SERGHIESCU – There is a lot of poetry in this poem. I would like to see how this author writes, outside of the quatrain form. Complaints about inactivity in the intercultural dialogue, and related to the activity on our Facebook profile. Not once did the author makes an effort to comment and thus fly the flag of Romania and spread the popularity not only of her poem, but also of her country.</p>
<p>FLORENTINA DANU – A lot of pathos. I expected more from this author. However, it is about someone who knows how the contest works, because she participated in the previous season. I don&#8217;t see any progress.</p>
<p>BOGDANA GĂGEANU – An interesting poetic form, a miniature. Punctuation is too cliché, but this text can be made into a masterful poem. It is only necessary to introduce a more unpredictable ending. Great praise also for participating in the intercultural dialogue in the previous two months, and through the strong activity on our Facebook profile, where precisely because of her comments, the flag of Slovenia was flying very often.</p>
<p>MÓNIKA TÓTH – No poetry. Just a dedication written in verse. There is no poetic element in the text. I&#8217;m sorry&#8230; Complaints about the inactivity in the intercultural dialogue, and related to the activity on our Facebook profile. Not once did the author makes an effort to comment and thus fly the flag of Romania and spread the popularity not only of her poem, but also of her country.</p>
<p>FLORENTINA LOREDANA DANILA – Bad end of the poem. It is necessary to get rid of excesses. A slightly better poetic style. Bring in a little more events from your life, and less invent what has already been invented and experienced thousands of times through poems. Complaints about inactivity in the intercultural dialogue, and related to the activity on our Facebook profile. Not once did the author makes an effort to comment and thus fly the flag of Romania and spread the popularity not only of her poem, but also of her country.</p>
<p>CONSTANTIN SEVERIN – A perfect poem by a mature author. I don&#8217;t have a single complaint. I enjoyed reading it! Complaints about inactivity in the intercultural dialogue, and related to the activity on our Facebook profile. Not once did the author makes an effort to comment and thus fly the flag of Romania and spread the popularity not only of her poem, but also of her country.</p>
<p>&nbsp;</p>
<hr />
<h3><span style="color: #000080;"><strong>Anđela Turukalo:</strong> </span></h3>
<p>Mihai Stet and Cristina Serghiescu- both poems are well written and both poems had the same issue. They&#8217;re both tense, somehow forced. Like the form of the poem- the shape of it- took the most out of you two. You should be aware that you can play with the rhythm and the shape of your poetry- that&#8217;s way better approach than being slave to the rules while not letting your own words breathe.</p>
<p>Florentina Danu, Bogdana Gaeganu, Monika Toth- all three of these were pale and weak. I felt no strength in these poems: they seem too ingenuous, almost childlike. Expression was too simple, it lacked poeticity.</p>
<p>Florentina Loredana Danila- this poem was ok. Not very good, not very bad. It needs more strength and more vivid imagery.</p>
<p>Constantin Severin- Perfect.</p>
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